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The Sydney Opera House: Formal and Semiotic Analysis Essay

Semiotic Analysis

Many individuals believed that the Sydney Opera House design represents the sails of boat accommodated on Sydney Harbor. However, the designer indicated that his choice for the structure was inspired by the orange and its segments. Looking at the structure, it is possible for individuals to interpret the structure based on their perspectives towards life. I can identify the general appearance because of its impact on the decision-making process of individuals after encountering with the design. Depending on a person’s previous experience with a similar concept, it is impossible to associate the structure with any other building in the modern world. Across the world, individuals are exposed to specific cultures that shape their perspectives towards life. When interacting with other people in the modern environment, it is possible for individuals to associate various aspects of life with their previous experiences in the community (Landorf, 2019). This correlation influences their interaction with other people in society.

In the Mid-1950s, an architect and another expatriate from Denmark who would change the approach of individuals towards design emerged in Australia with the aim of developing concepts that would be used to prepare the Sydney Opera House. 40 years down the line after the structure was opened to the public, the building is still as attractive as life in the contemporary world.

Figure 1 The Dydney opera House (Source: UNSW Sydney)

 

It should be noted that the design was a product of creativity and innovation as the people responsible for the development of the concepts were influenced by their thought process. The final concept changed the scope of architectures in the 20th century because of their ability to set the pace for other professionals in the modern world. Many people attach a historical perspective to the construction of the Sydney Opera House because of its location and cultural identity. However, the facility was created with the aim of showcasing talent to the world and creating an enabling environment for individuals to interact with their peers, as a way of promoting local content. After a careful analysis of The Sydney Opera House and its construction narrative, it is imperative to note that its story is not contested. However, there are numerous beliefs held by individuals that have been clarified by the facility’s management to promote awareness and cultural beliefs in the region.

Figure 2 Sydney Opera House Design (Source: UNSW Sydney)

Despite the changing times and trends in the modern world, it is imperative to note that the concepts of the structure have not changed. In the age of information technology, access to information has become easier due to improved internet speeds that expose individuals to their desired content. Jørn Utzon was selected after the judges selected his design in a contest. Utzon submitted his design to the panel after participating in a series of contests, with which he had been unsuccessful. He believed that the design would give hope to individuals in Australia and beyond regardless of their background. In an exciting twist of events, the design of The Sydney Opera House is unique and does not relate to existing structures in Australia and beyond. The design illuminates the country’s strong belief in cultural arts because of its ability to shape people’s perspectives.

Formal Analysis

From a distance, the structure appears like a series of containers that have creatively being arranged to highlight the designer’s level of creativity. The Sydney Opera House is a cultural facility that accommodates numerous cultural functions that seek to promote awareness of the country’s way of life.

Figure 3 Sydeny Opera House (Source: icsydney)

The Sydney Opera House changed the image of Australia in the international environment because of its illustrious designs that capture the perspectives of individuals in their immediate environment. While details of the construction materials remain to be scanty, it is possible to state that a majority of the concepts were developed and approved by the designer, Uztoh. Unlike other professionals who document their every move, it was impossible for the designer to track the progress at each stage because of the periodical change (Ranzi, McTaggart, Moffat, Lee, Ross, & Cook, 2017). Rubber was extensively used in the process of establishing the building because of its ability to withhold pressure and accommodate any differences in temperature, unlike other construction materials.

I believe the design of the building is spectacular as well as the materials used in the construction of the building. It should be noted that the process was done in phases to coordinate the different entries that continue to play a role in the magnificence of the building. The building assumes the shape of an orange and its segments, which offer individuals an aesthetic value that cannot be achieved elsewhere. From this observation, it is evident that the structure is an elaborate piece of art that highlights the creative aspect of individuals in the 20th century. When looking at the building, it is possible to acknowledge the impact it has on the sense of sight because of its ability to influence the perspectives of individuals towards life. It appears flexible even though the slides are immobile. The plates used in the construction of the roof are artificial and expose individuals to a scenic beauty that influences the perspectives of people towards the Australian way of life. By identifying with the structure, it is possible for individuals to acknowledge the efforts used in the construction process (Drew, 2018). While it is impossible to describe how the building relates with the body, it is possible to discuss its impact on the perspectives of other people on the Australian identity. In many instances, individuals fail to realize the impact of their surrounding things on the ability of other people to engage them in conversations. Currently, The Sydney Opera House’s design is unique and does not share the concept with any other building around the world. When people talk about Australia, the concept paints a mental picture of the country’s identity in the modern world.

 

 

References

Drew, P. (2018). The centenary of Jorn Utzon. Quadrant62(5), 83.

Landorf, C. (2019). Participatory Culture and the Social Value of an Architectural Icon: Sydney Opera House.

Ranzi, G., McTaggart, G., Moffat, B., Lee, B., Ross, K., & Cook, M. (2017, April). Concrete Conservation Framework for the Sydney Opera House. In the IABSE Symposium Report (Vol. 108, No. 1, pp. 364-365). International Association for Bridge and Structural Engineering.

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