Grave of the Fireflies is an animated film that takes place in Japan, only a few months before the end of World War II and is based on bereaved brother and sister. The siblings must find the essential commodities that include food and shelter after an airstrike destroys the home and kills their mother. The siblings then end up staying with their aunt for a short period, until Seita gets tired of her aunt mistreating him and his sister. He decides to take matters into his own hands in order to survive on his own by living in a hillside cave in a nation filled with fear, famine, and airstrikes.
The animated film, Grave of the Fireflies is established on actual happenings; bombs and airstrikes in Kobe. Kobe was considered to be one of the largest cities in Japan as a result of the massive population of approximately one million individuals. The town experienced a total of eighty airstrikes between 1942 and 1945, in addition to 4 atomic bombs. The film illustrates the harsh reality of war, the endless distress of getting blown-up, ruining homes, and major cities and piling of bodies of innocent civilians. People not only had to deal with the destruction of property but also the loss of essential commodities as compared to what Seita and Setsuko experienced. During periods of war, most individuals turn out to be self-centered, as illustrated in the film, whereby farmers decline to assist Seita with farm produce. This results in a drastic increase in the rate of looting and crime.
Grave of the fireflies is one of the most tragic movies to have ever been produced. It is devastating watching the airstrikes massacring innocent civilians and portrayal of World War II through the perspective of the Japanese. Grave of the Fireflies is not considered as an anti-war movie but offers an understanding of life during a nuclear war. While the film articulates the catastrophic demise of two kids, Seita and Setsuko are not the lone individuals that perish in the course of warfare. Grave of the Fireflies seeks to depict an actual image of the repulsions of warfare and how the happenings of World War II end up determining the future of Japan. The film also depicts the horror state of famine and the state of health experienced by the citizens. Visual indications also aid in documenting Setsuko’s deteriorating healthiness and restate her eminence as a fatality of a tremendous wrong. As soon as both kids relocate to the cave, the scarcity of food is experienced. The non-combatant casualties further agonize as a result of the change from socialism to individualistic forms of survival. The movie concurrently represents the Japanese citizens as fatalities and as dynamic participants in warfare.
The film ends with a conclusion that leverages on a fiercely intimate narrative, namely in the form of a flashback in Seita’s eyes, on the journey of the siblings that stretches months before the actual scene. The movie also acts as a distressing notice that period of war is likewise the period when the community fails to work and safeguard the welfare of fellow citizens. The film covers the harsh reality of being involved in warfare in World War II and instills a noteworthy message on the effects of the fighting.